ELECTIVE CLASS

In this elective class, we were view films that present success after challenging confrontations. While some films are fiction, many are documentaries or films of non-fiction events that took place in history. We will discuss reasons why such events happen, how you face similar challenges, and what you can do to succeed.

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One of history's greatest villains comes to life as never before in this that traces the rise of Adolf Hitler through use of rare, original color archive film. From the frightening transformation of Germany into a Nazi state to Hitler's closely guarded relationship with Eva Braun and the fall of Berlin, this video looks offers a unique look at the key events in world history from a unique, and rarely seen perspective.

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During World War II, 8-year-old Bruno (Asa Butterfield) and his family leave Berlin to take up residence near the concentration camp where his father (David Thewlis) has just become commandant. Unhappy and lonely, he wanders out behind his house one day and finds Shmuel (Jack Scanlon), a Jewish boy of his age. Though the barbed-wire fence of the camp separates them, the boys begin a forbidden friendship, oblivious to the real nature of their surroundings.

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An adaptation based on the autobiography of the acclaimed Polish composer, Wladyslaw Szpilman, who detailed his survival during World War II, and narrowly escaped a roundup that sent his family to a death camp. A composer and pianist, Szpilman played the last live music heard over Polish radio airwaves before Nazi artillery hit. There, in Poland, Szpilman struggled to stay alive--even when cast away from those he loved. He spent the duration of the war hiding in the ruins of Warsaw and scavenging for food and shelter. Szpilman eventually reclaimed his artistic gifts, and confronted his fears--with aid from the unlikeliest of sources.


Click HERE to open and print the questions for this film!

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In the 1930s, Jesse Owens is a young man who is the first in his family to go to college. Going to Ohio State to train under its track and field coach, Larry Snyder, the young African American athlete quickly impresses with his tremendous potential that suggests Olympic material. However, as Owens struggles both with the obligations of his life and the virulent racism against him, the question of whether America would compete at all at the 1936 Olympics in Nazi Germany is being debated vigorously. When the American envoy finds a compromise persuasive with the Third Reich to avert a boycott, Owens has his own moral struggle about going. Upon resolving that issue, Owens and his coach travel to Berlin to participate in a competition that would mark Owens as the greatest of America's Olympians even as the German film director, Leni Riefenstahl, locks horns with her country's Propaganda Minister, Josef Goebbels, to film the politically embarrassing fact for posterity.